BODY OF WORK: UNSHARP #02, 2014

An attempt to stimulate the viewer's imagination. In his 2006 essay "Between Imitation and Simulation – The Blurred Image," Bernd Hüppauf addresses the phenomenon of the blurred image and its reception. According to Hüppauf, blur is "a visual simulation that violates the rules of imitation and documentation." Blur deprives the image of its status of singularity (cf. Hüppauf).. Die Un­schär­fe ent­zieht dem Bild den Sta­tus der Ein­ma­lig­keit (vgl. Hüp­pauf).

The controversy arising from this debate over the significance of detail and sharpness is rooted not merely in media discourse, but originates in the epistemological question of whether truth is to be found in what is objectively measurable (sharpness) or in the essence of the matter (blur). Where blur affects the entire photograph, the primary concern becomes the conveyance of a feeling or impression. The object is replaced by its representation or its symbol. The image turns into a sign, and photography—grounded in the fundamentally pictorial constitution of the world—is elevated to a universal language (cf. Stiegler). Dort, wo die Un­schär­fe die ge­sam­te Fo­tografie be­trifft, geht es vor al­lem um die Über­tra­gung ei­nes Ge­fühls bzw. Ein­drucks. Der Ge­gen­stand wird durch sei­ne Re­prä­sen­ta­tion oder sein Sym­bol er­setzt. Das Bild wird zum Zei­chen und die Fo­to­gra­fie wird auf­grund der bild­li­chen Grund­ver­fasst­heit der Welt zur uni­ver­sel­len Spra­che er­ho­ben (vgl. Stieg­ler).

“The liberation of form from the dictate of the visible.”

© 2014 Edin Mustafic - Unsharp #02

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Title: Anatomy of an Emotional Ambush | Year: 2015 | Series: 20 individual photographs | Print: 30×30 cm | Frame: 40×40 cm, thickness: 30 mm | Ink: Epson Ultra Chrome K3 Pigment Ink | Paper: Hahnemühle Fine Art Ultrasmooth, 305 g/m² | Framing: Museum framing white, gallery board, museum passe-partout white (3 mm), museum backing board, acid-free | Glass: Clarity 92% / museum glass | Edition: 1 (+1 AP)

Edition A (P: 30×30 cm): 1 (+1 AP)
Edition B (P: 50×50 cm): 1 (+1 AP)
Edition C (P: 100×100 cm): 1

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Work note, Vienna 2015
I wanted to witness what a face looks like when civilization momentarily suspends itself. Not as a gesture of violence, but as the physical sedimentation of sheer affect. The ash upon the skin and the unforgiving light strip away all veneer of social decorum. What fascinates me: in the instant of the emotional ambush, there is no pretense – only in the scream does the individual shed their role, reduced entirely to body and raw tension.

© 2026 Edin Mustafic